More whistles and bells for fly hearing.

نویسنده

  • Richard G Walker
چکیده

A mplification of sensory input is a common theme for almost all sensory modalities. Once a sensory signal is received, be it a photon or a molecule of saccharin, the receptor cell will append an amplifying second-messenger cascade onto the initial transduction event. Amplification of sound by hair cells within the cochlea also follows this rule, but with an important caveat: the hair cells produce no second-messenger cascade for the amplification (1); instead, they pump kinetic energy back into the hearing organ to magnify the sound (2). How this energy is put back into the system is somewhat controversial. Considerable evidence indicates that the outer rows of hair cells contract and expand their somas in response to plasma membrane voltage changes, thereby contributing mechanical energy to the already vibrating basilar membrane on which they reside (3–5). But there is also mounting evidence that another portion of the hair cell is not passively along for the ride on a bucking basilar membrane. The organelle that receives the incoming stimulus, the hair bundle, also seems to play an active role. Vestibular hair bundles can amplify mechanical stimuli (6) by harnessing the energy released during opening and closing of the mechanically activated transduction channel (7). It remains to be seen whether the hair bundles in the cochlea also contribute to the motions of the basilar membrane, but it is clear that these organelles can serve as a source of amplification. Hearing organs appear to be unique among sensory organs in their ability to generate signals that they were meant to detect. In a surprising report in a recent issue of PNAS (8), the humble fruit f ly’s hearing apparatus appears to be no exception to this tenet: the sensory neurons that detect sound also are capable of moving the insect’s hearing organ. Using laser Doppler vibrometry to monitor the sound-induced movement of the fly’s third antennal segment (an auditory receptor structure, functionally equivalent to an eardrum), Göpfert and Robert (8) have shown that Drosophila hearing organs exhibit a nonlinear response to sound of varying intensities, a trait characteristic of vertebrate hearing organs (9). In particular, the fly’s organ becomes more compliant in response to lower intensity sound, but it does this in an interesting way. As the stimulus intensity declined, the resonant frequency of the organ also declined. These shifts in the response behavior suggest the presence of a component in the hearing organ that can change its stiffness based on stimulus intensity. In vertebrate hearing organs this behavior is termed compressive nonlinearity, in which the amplification by hair cells of basilar membrane movement decreases as the sound pressure level increases. A clue about the origin of this nonlinear behavior came when the flies were treated with a pulse of CO2. The intensity-dependent shift in resonant frequency was abolished within a few seconds, then slowly returned over about a minute. This treatment revealed the requirement of a metabolically active component, likely the mechanosensory neuron, underlying the compliance. This decrease in stiffness of the system could result from a passive change in the mechanical properties of some linkage in the system or from energy being pumped back into the hearing organ. One indication of energy input is the presence of ‘‘active’’ phenomena like spontaneous movements. When the authors simply monitored the antennae in the absence of sound, they observed spontaneous excursions. The waveform of the movement was not simply sinusoidal, but showed a twitching behavior in which quick displacements (in both directions) were interspersed with relatively quiescent periods. Because the antennae moved quickly in both directions, something in the system must generate force in either orientation. Spontaneously oscillating bullfrog hair bundles show a similar movement (6). This superficial resemblance may belie a more fundamental similarity in the behavior of the transduction channels. In oscillating hair bundles the excursions occur when the 100 or so transduction channels are synchronously transiting between open and closed states, pulling the bundle in opposite directions with each swing of the channel’s gate (10). It is compelling to imagine that the transduction channels in the fly’s hearing organ might be similarly affecting the mechanical behavior of the antenna. These spontaneous oscillations are rendered more extreme and more complex by treatment of the animals with dimethyl sulfoxide (DMSO), an anesthetic that can change the excitability of invertebrate neurons (11). Although it is unclear how DMSO alters the mechanosensory organs, the antennae simultaneously oscillated at several distinct increasing frequencies; almost as if individual ‘‘tuned’’ components of the hearing organ were gradually unmasked. Frequency-specific elements (yet another characteristic of vertebrate hearing) allow the deconvolution of complex waveforms into their component frequencies. From where do these nonlinear shenanigans arise? The authors addressed this question by recording from mutants flies that have hearing deficits (12, 13). One mutant, nompA, is defective in a protein that attaches sensory neurons to

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Objects and Agents: How Do They Differ?

Just how different are objects and agents? Some developers consider agents to be objects, but with more bells and whistles. This approach tends to define agents beginning with the phrase, "An agent is an object that ..."—where the definers add their favorite discriminating features. Then, there are those who see agents and objects as different even though they share many things in common. Both ...

متن کامل

Objects and Agents Compared

Just how different—or the same—are objects and agents? Some developers consider agents to be objects, except with more bells and whistles. Then, there are those who see agents and objects as different even though they share many things in common. Both approaches, however, envision using objects and agents together in the development of software systems. In other words, objects and agents are tw...

متن کامل

Metris: A Game Environment for Music Performance

Metris is a version of the Tetris game that uses a player’s musical response to control game performance. The game is driven by two factors: traditional game design and the player’s individual sense of music and sound. Metris uses tuning principles to determine relationships between pitch and the timbre of the sounds produced. These relationships are represented as bells synchronised with signi...

متن کامل

Zoorkhaneh: Historic Training in Iranian Culture

Zoorkhaneh is a Persian type of sports club where athletes undergo rigorous regiment training. The term Zoorkhaneh refers to the place of practice, which means "House of Strength" in English. The ritual is lead by a musician who chants sacred poetry while keeping time on a drum and ringing bells to mark the beginning of different sections. Zoorkhaneh sports have the factors issued to health (Mu...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:
  • Proceedings of the National Academy of Sciences of the United States of America

دوره 100 10  شماره 

صفحات  -

تاریخ انتشار 2003